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作者:核实中..2011-09-01 11:29:52 来源:中国国画家网
看到秦海最近的一批新作，不由为之一震，真可谓“不鸣则已，一鸣惊人”。
他在繁忙的工作之余，二十多年来潜心研究泼墨挥毫，在写意花鸟画方面达到如此高的水平，奉献出如此令人惊叹的作品，应归于他的悟性、灵气、才气诸方面的修养；应归于他对中国画全身心的追求。他推崇徐渭、八大、吴昌硕、齐白石诸大家。他认真解读，深切领悟，大胆实践，勇于创造。在近几年新创作的一批画作中，其风格令人耳目一新，已步入了属于他自己的艺术天地。在意境、意象、传情的探索上，追求大块大面的宏观整体结构形式，吸收乐、韵、舞蹈的表意符号，运用独到的意象造型，使画面充满诗情画意和生机灵气。他的画既有传统又富新意，他把写意花鸟画的力度结构与情态，劲简朴茂与风流奔放融会贯通，因而，在欣赏他的作品时，会让人感受到他作画时那洋溢的激情以及透露出的那股“当其下手风雨快，笔所未到气已吞”的气息。他把绘画要素处理得得心应手。他成熟了。
画家的作品贵在有自己的艺术语言。但它不是以人的意志为转移的，它是画家情感、素养、生活阅历、艺术技巧等诸方面的积累所致，是随时间潜移默化而水到渠成，而不是刻意设计。写意花鸟画的创新尤为艰难，这就要求画家扬长避短，创造自己的艺术语言，在画面上要有自己的意象符号。这些意象符号的提炼，既是对具象的超越又是对象外的升华。他在创作心语中写道:“天地有大美而不言，故作画要景到随机，得景随形，道法自然，宜浓则浓，宜淡则淡，浓到极至，淡到极至。”在《生命之歌》中，他采用横幅构图，让几只墨团团似的鸟儿栖息在似冰挂的树枝上，这种破断不连、似非而是、举重若轻、运之犹游的意象造型，其中那韵律、节奏、对比、结构都是属于他所独有的。在《吾爱吾家》中他又把那雄健的苍鹰赋予了更多的人性化、情感化，可见他对事物观察、领悟的独到之处。《微风燕子斜》中的燕子，《地久天长》中的鸽子，《远雷》中的斑鸠等，经他概括、洗练的笔墨，简洁清新的造型使其独具个人面貌。《个个成器》中的葫芦，那洒脱飘逸沉稳的线条，又非一定功力所能及。总之，从他的画作中，我看到了写意画，特别是写意花鸟画在如何传承，如何创新方面的希望。如今的中国画界，新材料的使用、新技法的尝试、新观念的形成等等因素，极大地丰富了传统的中国画，包括花鸟画，这是毋庸置疑的，整体上看也是应当鼓励和肯定的。但制作之风日盛，写意无论在技巧层面，还是精神层面，发展并不尽如人意，学术界也多有忧思。我们近年来在展览评奖中对写意有所侧重并举办写意画大展，旨在呼唤写意。秦海的花鸟画却让我眼前一亮，值得我们思考。我们还是要提倡画家在继承传统的基础上深入生活，感悟生活，动情生活，从生活中汲取营养。正如秦海所说的“生活、感悟、真情乃创作的要素”。他对时下写意画的无病呻吟、刻意制作之风不屑一顾。他认为:“祖传(传统)丢掉，皮之不存，毛将焉附。写意画贵在一个‘情’字。作者无激情，观者心难动。下笔有如神助，那是‘情’在左右。”
秦海的成功在于他常读、常思、常悟和笔耕不辍。多年来，他先后在山东美术馆、中国美术馆、法国巴黎举办个人画展，作品被山东美术馆、中国美术馆、中国画研究院和海外收藏机构收藏。作品在《美术》《中国画研究》《美术观察》及《人民日报》等杂志报刊上发表和专题介绍。出版有《秦海画集》《秦海写意花鸟画集》等。近期他将携新作赴台湾举办个人作品巡回展。
他对写意画的思考将不断深化，他那不懈的创造力一定会再上一个更高的层次、一个更高的境界。我祝愿他。
刘大为
中国文联副主席、中国美术家协会副主席、著名画家
I met Qin Hai's new paintings, they are surprising, and this may be the reason of his sudden rise to fame.
Over twenty years of hard work and devotion in his spare time, Mr. Qin Hai has produced many Chinese enjoyable flower-and-bird painings from his talent, his wisdom and soul, and his works are astonishing people. He had carefully studied the works of such famouse painters as Xu Wei, Bada, Wu Changshuo and Qi Baishi whom he respected very much, yet he had created his own style in his works in recent years, which are very fresh, poetic and vivid, focusing on a kind of unique large macroscopic and integral structured music, rhyme and dance signifiers to express his conception, image and passion in paintings. His enjoyable flower-and-bird paintings include both traditional and innovating elements, they are powerful, passionate and ready planned with his mature skills.
A painter should have his own art language which comes from his soul, passion, life experiences and art skills, instead of some willingness or intentional planning. For enjoyable flower-and-bird painters, such art language is especially important yet difficult because the abstract signifiers in the paintings surpass the objects and sublimate the subjects. In the horizontal scroll of the painting of Song of Life, Just as what he wrote, the nature has its harmonious beauty, the painter should paint the nature as it is in harmoneous while differrent shades , he painted several thick layers of birds on tree branches like silver-thaws, and such images are very unique in rhythmic, contrasting and structural shades. In his another piece of work I Love My Home, he painted the vigorous eagle with a hue of humanity and passion, manifesting his originality in his observation and comprehension of nature. He also painted swallows in Inclining Swallows in Breeze, pigeons in As Long As the World Shall Last Eternally and turtledoves in Distant Thunder, all these abstract images have their own characteristics, and are painted in a concise and distinctive style. And especially, the skills to paint the elegant and deep lines of gourds in Everybody Becomes a Useful Person is very complicated. In a word, I saw the bearing of traditions in Mr. Qin Hai's enjoyable flower-and-bird paintings, and his innovation. Nowadays new materials, skills and new ideas are enriching the field of traditional Chinese paintings including the flower-and-bird paintings, which undoubtedly shuold be encouraged, but mass products prevails skillful and conceptional ones, and this has worried the academic world. We have emphasized particularly on enjoyable paintings in painting award appraisals in recent years, and in exhibitions for such paintings held by us, Mr. Qin Hai's works suddenly caught our imaginations, and evoked us to adhere to the principle that a painter should truly penetrate life, feel life, absorb nutritions from life and affected by life, just as what Mr. Qin Hai said, life, feelings and affection are essential to painting . Mr. Qin Hai has an antipathy to painstaking paintings with sentimental poses, instead, what he believe is that tradition and enjoyable paintings are two things that depend on each other for existence. Enjoyable paintings should has the painter's passions in it, because if without such passions, the viewers would not be affected. Inspiration is from passion.
Mr. Qin Hai's success lies in his frequent reading, consideration, feeling and practices. For many years, he has held his personal exhibition in Shangdong Art Museum, China National Museum of Fine Arts and in Paris, French, his works are collected by Shangdong Art Museum, China National Museum of Fine Arts, Research Institute of Traditional Chinese Painting and overseas collection institutions. And his works are published with introductions to special subjects in Arts, Study on Chinese Paintings, Art Observation and China Daily. He has published albums of Paintings Collection of Qin Hai and Enjoyable Flower-and-Bird Painting by Qin Hai. He will hold his personal touring exhibition for his new works in Taiwan in the near future.
Mr. Qin Hai is refining his thoughts on enjoyable paintings, he is making efforts all along to creating more wonderful works. I wish him the best.
Liu Dawei
China Federation of Literary and Art Circles Vice president China Artistis Association Vice president Famous Chinese painter
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